Sunday, January 11, 2015

Just a Gigolo

"I ain't got nobody"


     Many times has this line been repeated throughout musical history and many times has it always been a thrill to listen to.  These words come from "Just a Gigolo", a traditional pop swing song that was made famous by the American singer Louis Prima in 1956.  

Louis Prima - Just a Gigolo  
                                                                                                                                                                   
     Though the tune was incredibly catchy and memorable, this was not an original composition. Prima had actually combined two songs together to create the final product of "Just a Gigolo".  The two songs he mashed together were "I Ain't Got Nobody" a 1915 piece by Spencer Williams and Roger A. Graham, and the original version of "Just a Gigolo", "Schöner Gigolo, armer Gigolo" which was the very first recorded version of the song.  It was composed by Leonello Casucci, an Austrian musician.

Leonello Casucci (Performed by Dajos Béla) - Just a Gigolo

Spencer Williams / Roger A. Graham (Performed by Coon-Sanders Orch.) - I Ain't Got Nobody


  Many people are not aware that the song is not completely Prima's work, although it is undeniably the better product of the two songs. As Prima's signature tune continued to grow famous, more artists began to create their own covers of the song.  


The next most significant adaption sprung into life during the funky and hip era of disco; The 70's. In 1978 The Village People produced a disco version of the piece, and boy did it have rhythm. It is an immense shame that I could not find any high quality recordings of this song whatsoever, but nonetheless give it a listen.  

Village People - Just a Gigolo

     It is always extremely satisfying to see an old hit be covered.  What's even more thrilling to see is to then watch that very cover became just as famous (and perhaps even more) as the original song.  David Lee Roth did just this.

David Lee Roth - Just a Gigolo (Skip to 1:37 for the actual music)

     Lead vocalist of Van Halen, David Lee Roth took a small break from the band and decided to have some time for himself in 1985.  What he delivered to us during that break was one of the most  soulful-pop songs I have ever heard.  You can just hear the raw passion in his voice, and he really does seem like he's singing his heart out.  David Lee Roth's innovative music video for the single was the biggest factor that contributed to his success, and boy is it amusing.

    Now i'm sure that you might be scratching your heads with confusion right now if you watched the video.  The inappropriateness in the video may seem very unexpected, but in fact it is quite relevant to the song.  It may seem surprising but "gigolo" actually means "male escort":  A man who gets payed for his sexual attention and companionship.  The entire song is based on a gigolo singing about how he feels about his miserable life, but with a very light and bright tone.

    And now we come to the final and most fitting adaption for our generation; The pop version.  The Latin pop artist Lou Bega did quite a decent job by modernizing it with heavy bass beats and only god knows how many pop horns they used.

 Lou Bega - Just a Gigolo

     This 2001 rendition of the original gives it a completely new feel that makes you want to get up and party hard.  It is not very well known as Lou Bega is considered to be a one hit wonder with his infamous tune "Mambo No. 5" and had most of his other works overlooked.


    One song, four genres:  Swing, disco, pop rock, and pop.  Out of the four my personal favorite would have to be the original Louis Prima composition with it's smooth swing feel and powerful vocals.  I absolutely adore the call and response section, and I especially enjoy when the trumpet plays on the offbeat.  It sounds absolutely incredible and I would highly suggest to pay attention to the horns throughout the song.

     "Just a Gigolo" has traveled through different generations with varying popularity, but what's amazing is how it persevered.  By leaving a giant mark in the music world during the 50's, it has journeyed into the 21st Century with pride and is relevant to this very day.  I would not mind to see another cover, but I think the history of the song is fine as it is and can be left alone with it's rich past, and as Louis Prima brightly lamented,

"There will come a day when youth will pass away,
What would they say about me?"

All we can say Louis is youth certainly did pass away.

But you'll be timeless.


Wednesday, November 19, 2014

Poem: The Metaphor

A poetic response to The Metaphor by Budge Wilson

Looking for the perfect guy is like running on a treadmill
Putting the speed on slow isn't very productive
But having it on high takes a lot more energy
And makes it a lot more dangerous.
Starting out with the pace that fits you is the best choice
And eventually as time wears on
We can gradually increase the speed to more challenging levels
Up til the point where we reach our final goal

Or until we fall flat on our faces.


Thursday, October 30, 2014

Poem: The Hollyhocks

A poetic response to "The Sound of the Hollyhocks" by H. Garner 

The Hollyhocks
They speak to me
They inform me
They connect with me

The Hollyhocks
They are speaking
"Never go back" they whisper
They are right
Never go back

Never.

Monday, October 27, 2014

Poem: The Decision


To kill everyone
Or to spare some lives for few
A choice will be made

Thursday, October 23, 2014

Album Review: The Doors' "The Doors"

     Coming into 1967 with their debut album "The Doors", The Doors gave us (In my opinion) one of the greatest debut albums ever released.  Steadily climbing the charts it peaked at #2 in September, right behind the great Beatles Album "Sgt. Pepper's Lonely Hearts Club Band".  "The Doors" masterfully gives us some of the most solid psychedelic rock songs that have ever come into existence.  It was their most successful album in terms of commercial sales.  By April 2014 it had sold over 17 million units world wide.  

     The main songwriters of the LP were Jim Morrison (Vocals) and Robby Krieger (Guitarist).  On drums they had John Densmore and Ray Manzarek on the keyboard.  Jim Morrison's hypnotic poetry is such pleasure to listen to, and Ray Manzarek's keyboard playing is just heaven to my ears.  What separates Ray Manzarek from other keyboardists is his ability to play two keyboards at once.  Right hand for chords and left hand for bass.  The band actually didn't have a bass player, because the bassist who auditioned for the group couldn't compare to the style and sound of Ray's left hand.  What a demon.  

     As for song composition, "The Doors" delivers to us to that Doors sound that they almost always present to us;  Poetic and acid-like lyrics with Jim Morrison's unique voice and Ray Manzarek's special organ-like sound.  The highlight of this album has to be "Light My Fire".  Released as a single after a few months of "The Doors" debut, the song hit #1 and stayed at the top of the charts for three weeks.  The entire song is just a mesmerizing psychedelic journey from start to finish.

     What The Doors gave to us with their debut LP was an introduction to a new era (although it was a fairly short one at that) of unique mind-bending music.  What a thrill it must have been to hear this new kind of sound back in the 60's.  How fortunate they were.  

Priority Tracks:   

   


Sunday, October 19, 2014

Album Review: Queen's "Hot Space"

     Considered to be Queen's worst album, Hot Space is certainly an album that surprised and disappointed many Queen fans.  The cause for their dismay was due to Queen's change of direction in music genre.  Before the release of 1982 Hot Space, Queen had delivered us some of the greatest rock albums ever made.  Hot Space presented us nothing close to rock.  It was a complete collection of disco and dance tunes.  No wonder the hardcore rock fans were ticked off.

     This was not what the whole band wanted.  Freddie Mercury (Vocals/Pianist) and John Deacon (Bass Guitar)  were much more enthusiastic at the idea of a funk dance album.  This was most likely the case because of the influence from their previous funk hit "Another One Bites the Dust".  Brian May (Guitarist) and Roger Taylor (Drummer) were not very excited at the idea of producing a very different sound, but in the end they reluctantly agreed to go with it.
  
    The entire album pretty much consists of a solid back beats, various brass sounds, techno noises, a lot of synthesizer, and funky bass lines.  Very few tracks stand out from the album, but it did give us "Under Pressure", their infamous collaboration with David Bowie.  
   
   Overall, this album is considered to be an artistic failure by Queen.  Fans and critics expected more, and Queen didn't deliver.  Perhaps they were just "Under Pressure" to create great pieces of work and just wanted to do something more simple.  By all means this isn't a terrible album, it was just slightly disappointing from an artsy point of view.  So if you're looking for some funky tunes, give this album a listen.  

Priority Tracks: